Victoria Manning is a New York based artist whose photographic practice is inspired by the connections between history, literature, and folklore. Her most recent series are fictional narratives exploring identity, doubling and delusional misidentification syndromes; death and the uncanny; as well as apotropaic and occult practices in relation to domestic spaces.

She has been included in numerous group exhibitions, a solo exhibition of her project Greetings from Oil Country was held in Olean, NY, and her photographs are held in several private collections. Her work has been reviewed in publications such as Hyperallergic and the Chronogram and she co-authored an essay published in the peer-reviewed journal Oil-Industry History.

Manning earned her BFA in Photography from the School of Visual Arts.